That afternoon after we visited Faki Mayaw Losh, with the aid of his own hand-drawn map of the Indigenous traditional territory and the migration process that he clearly described, we had finally came up with an outline combining the materials we gathered previously. Our log keeper Lisin drew a map on the empty corner of her field record notes.

My Xiaobitan Community map was drawn after the shooting. It reflects my impression of the people’s living location and the living space I came into contact with during the filming process. Since the Xiaobitan Community is situated next to the elevated road and the commercial district encircled MRT station, in addition to the people who have lived there for generations, there are also temporary dwellers who migrated there for work, who settled there for its connection to their Indigenous home village. Sometimes, the population there migrates frequently. Also, the community’s history is also accompanied by many land struggles and urban development processes

In terms of my shooting routines, I always completed a field record sheet at shooting or immediately after the shooting. Most of the working team members and our interviewees use Malay as the common language. (*Malay is used as the main language throughout the film.) Therefore, I relied on the log keeper to translate all the live sound recordings into Chinese, so that I can match in time in the film with the corresponding conversations.